The Projected Image in the Gallery Space

In the closed space of cinema there is no circulation, no movement, and no exchange... This model is broken apart by the folding of the dark space of cinema into the white cube of the gallery." - Chrissie Iles Into the Light: The Projected Image in American Art, 1964Ð1977

In the 1960s + 70s artists began worked with the perceptual vocabulary of minimalism, dismantling linear perspective and notions of a fixed position of the viewer, beginning to speculate on a phenomenological experience of objects in relationship to architectural space. (Terri Cohn 2003)